The Harvesters

Pieter Bruegel the Elder. (1565). The Harvesters. [oil on wood]. The Met Fifth Avenue, New York.

“I responded to that great painting in a way that I now believe is fundamental to the peculiar power of art. Namely, I experienced the great beauty of the picture even as I had no idea what to do with that beauty. I couldn’t discharge the feeling by talking about it—there was nothing much to say. What was beautiful in the painting was not like words, it was like paint—silent, direct, and concrete, resisting translation even into thought. As such, my response to the picture was trapped inside me, a bird fluttering in my chest. And I didn’t know what to make of that. It is always hard to know what to make of that.”

—Patrick Bringley, All the Beauty in the World

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Essays on Books and Life

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Speaking Peace in a Climate of Conflict